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Less Than Kind – Complete Season 2 TV Shows Add comments. IMDB: www.imdb.com/title/tt1159996/ Less.Than.Kind.S02E01.HDTV.XviD-CHGRP.avi Less.Than.Kind.S02E02.HDTV.XviD-CHGRP.avi. Complete dentures are used when. A precision partial denture is removable and has internal attachments rather than clasps that attach. If the adhesive oozes, use less of the product.
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Female Prisoner Scorpion: The Complete Collection (Blu- ray/DVD)Starring Meiko Kaji. Directed by Shunya Ito, Yasuharu Hasebe. Distributed by Arrow Video. Japanese cinema saw a boom in the women- in- prison (WIP) subgenre a few years after the release of Ohyaku: The Female Demon (1. Pinky Violence . The WIP/Pinky Violence scene really exploded in the early .
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Long considered to be among the greatest Japanese WIP films, the series would go on to spawn three sequels and influence countless imitators both from within the country and without . The movement ended almost as soon as it began, with features trickling out sporadically by the mid- . Between 1. 97. 1 and 1. Any aficionado of Japanese cinema knows the studios could crank these pictures out like there was no tomorrow, too, which is why the series saw four entries in just two years. Arrow Video has brought all four films together in one incredibly sexy package, complete with tons of bonus features, a hardcover booklet, reversible key art, a double- sided foldout poster.
When Scorpion is set up by her crooked cop boyfriend, Sugimi (Isao Natsuyagi), to win favor with the Yakuza she winds up beaten and raped. Hungry for revenge, she attacks Sugimi on the steps of the police station and is promptly arrested for attempted murder. Prison is even less kind than her shady ex . Sugimi sends a female assassin to kill Matsu and instead of going for the kill she winds up getting seduced, begging to be returned to Matsu. Women get sent to some hellhole where sadism, rape, torture, lesbian sex, fist fighting, and cruelty are on the daily menu.
What sets the Female Scorpion series apart from the rest is an easy answer: Meiko Kaji. There have been strong women in cinema before and after Scorpion, but few could hope to be as tough and resilient. Matsu speaks infrequently, preferring to let her actions do all the talking. She never once gets into a verbal sparring match with inmates or officers, choosing to instead strike at an opportune moment so that not only does her wannabe aggressor suffer, but everyone else within view knows a similar fate awaits them, too, should they get in her way. Kaji plays the role with such a controlled sense of ferocity; she. She says so much with her round, emotive eyes; eyes that belie the wild beast beneath the surface.
Nobody can match her skills, and she knows it, but like Bruce Lee she holds back right up until the very moment when it is no longer time to hold back. Matsu returns again for Female Prisoner Scorpion: Jailhouse 4. Matsu is back in prison, kept chained up in a dank solitary basement.
The warden is hoping this inhumane treatment can break her will. Instead, as soon as Matsu is temporarily released from her shackles she takes that opportunity to try gouging out the warden. The warden, who is pretty fed up with Matsu at this point, figures the best way to break her is by using an age old favorite, rape. So, he sends four guards to rape her. In front of all the other prisoners. Matsu grits her teeth, deals with it, and then gets back on with her quest for vengeance. Seriously, nothing fazes her, ever.
While the prisoners are being driven back to the jail they decide to stage a revolt, killing the guards and heading off on the lam. Matsu stays with the group, which is ostensibly headed by Oba (Kayoko Shiraishi), a big mouth who does her damnedest to get Matsu to fall in line with the rest. The girls hide in an abandoned village, where they spend some time bonding by a fire and discussing their crimes and dreams. An old woman appears, armed with a strange magic dagger, and a surreal sequence follows in which each of the women. Then the woman turns to leaves and vanishes, but not before gifting her dagger to Matsu. The women then set out to continue their journey for freedom, but the cops are on their tail and it.
Other than the fleeting glimpses of her deal- gone- wrong with Sugimi back in the first film, nothing of her life is known. Word of her revenge antics spreads quickly because by this second film she is already something of a mythical figure, lauded by women everywhere for her toughness and ability to always . And here he thought handcuffing Matsu to himself would be a foolproof plan. Scorpion escapes to a graveyard, with the arm still attached to her cuff, where she meets a prostitute who offers to take her in and provide shelter. The woman lives with her mentally handicapped brother, who it is implied may or may not be faking his ailment in order to get nightly sex with his sister. He cries, she gives it up. Not long after Matsu arrival, sis learns she.
Good thing Matsu is around to mete out justice, which she does with extreme prejudice as usual. The one- armed cop, meanwhile, is still on her trail, closing in with each day.
For a guy who had his limb hacked off he is remarkably dogged in his sleuthing. He eventually finds the town where Matsu is hiding and, although she puts up a good fight, he manages to secure Scorpion and return her to prison. But as fans should know by now, no prison can hold her for very long.
This would be Ito. Visually, the film displays more of the trippy, bright colors and wild style associated with many Pinky Violence features. In terms of violence, the series has been home to so much cruelty that topping previous entries seems like a tough task . But when you add in graphic limb detachment, unwanted abortion, and a man getting killed by a raven suddenly it seems like Ito.
Shunya Ito is out, with new helmer Yasuharu Hasabe sitting in the director. After some stylish opening credits we once again meet up with Matsu, out in the wild, when she is surrounded and nearly captured by the cops. She escapes but is wounded in the process. Kudo (Masakazu Tamura) finds her and tends to her, with the two making a connection that is the closest Matsu has come to love since Sugimi all those years before.
Kudo also hates cops because they tortured him, too, and he promises to stay with Matsu and keep her safe however he can. Unfortunately, the cops get back on Matsu. Kudo is arrested and the cops come up with a very convincing way to make him talk, which he does. Now, the one man Matsu has trusted in ages has broken his vow and, yep, you guessed it, she. Kudo comes around and suddenly she.
She lets her guard down and, for a moment, lives like a normal person once again. Hasabe allows the veneer of tough justice to crack ever so slightly, revealing a woman beneath who likely wishes her life had gone differently. After all, very few people would willingly choose a life of constant retribution.
Another key difference from the Ito pictures is that this one sees a decrease in the rampant sex & violence that permeated previous films. Kaji is absolutely ravishing in her signature role, as beautiful as she is deadly. There have been a few notable women to lead Pinky Violence films, such as the gorgeous Reiko Ike, but nobody else has the ability to appear both demure and ferocious with a single look from one eye like Kaji. Scorpion is less a regular woman pushed to the brink and more a superhero, fighting to even the score in a world dominated by cruel men.
Give the climate of our current culture, her vengeance would seem more fitting than ever. As a mentioned earlier, there has been some controversy regarding the video quality for all four films in this set. Arrow has provided the following information in the included booklet. A set of low- contrast 3.
Toei Company, Ltd. These prints were scanned in 2. K resolution on a pin- registered 4.
K Northlight Scanner. Picture grading was completed on a Da. Vinci Resolve and thousands of instances of dirt, debris and light scratches were removed using PFClean software. Overall image stability and instances of density fluctuation were also improved. All restoration work was completed at Pinewood Studios. The images on all four Female Prisoner Scorpion films favor a noticeably cyan/blue look throughout. This look was inherent in the film materials supplied and relates to how these lab materials were created, as well as how the original elements have faded over time.
With these restorations, we have aimed to present the films as close to their intended original style and appearance as possible. Colors do hew toward a cyan/blue palette, with most other primaries left looking desaturated and weak.
Fans of Japanese cinema from this era are likely expecting bold, flashy bursts of color . The picture often looks soft, with very few moments of strong clarity that would indicate you are watching HD video. Film grain is variable, with consistency nonexistent from scene to scene. Black levels often look washed out or closer to a gray/purple haze than dark and inky.
No one film stands out from the rest, though Beast Stable does have the dubious honor of looking the worst. On a personal note, I try not to get caught up in the online geek furor in regard to video transfers. Some people out there will grab screenshots and examine the frames under more intense scrutiny than they would receive on a TV screen. But I do have to agree the video quality here is severely lacking and is absolutely not what fans may have been hoping to see when this set was announced. I trust Arrow did the best they could with whatever Toei provided but had they seen what the results would be, maybe it might.
Aside from the hissing sound that comes with every character. Dialogue tracks sound clean . Sound effects lack the kind of weight needed to give them a sense of realism. The real standout for each film is the score; the first three done by Shunsuke Kikuchi, while the final picture was composed by Hajime Kaburagi. Expect to hear plenty of fuzzy guitar riffs, ethereal electronics, electric guitar twang, and funky grooves. Subtitles are available in English on all four films. Bonus features are a little light, though considering the vintage of the films and the frequent lack of additional materials produced by the Japanese studios it.
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